{"title":"Geanna Merola","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e Geanna Merola is a photo-based artist rooted in Neptune and Ocean Grove, New Jersey. Working in both traditional and digital photography, she transforms everyday images into layered visual narratives that invite viewers to see the world from new perspectives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e Geanna’s process begins with observational photography and evolves through the combination and manipulation of multiple images. Her work ranges from quiet, singular moments to complex compositions filled with layered meaning—always with an emphasis on structure, balance, and curiosity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e Geanna holds formal training in fine art and photography at both the undergraduate and graduate levels. Her career reflects a lifelong commitment to creative exploration and to the evolving language of photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e Her goal is for viewers to find unique perspectives in her work—whether appreciating composition or engaging with deeper narrative complexity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e “I often approach photography as a collector,” Geanna says, highlighting her love for gathering and reimagining visual fragments of the world around her.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"window-works-series","title":"Window Works Series","description":"\u003cp\u003ePhotography by Geanna Merola\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e20\" x 13 1\/4\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":43859469238306,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Geanna_Merola.jpg?v=1754795796"},{"product_id":"geanna-merola-unique-sunprint","title":"Geanna Merola - Unique Sunprint","description":"","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":44656738336802,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}]},{"product_id":"photogram-collage-24","title":"Photogram Collage #24","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e14 1\/4\" x 10 1\/2\"\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109800661026,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/PhotogramCollage-24-GeannaMerola.png?v=1785181505"},{"product_id":"photogram-collage-17","title":"Photogram Collage #17","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e14 1\/4\" x 10 1\/2\"\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109821567010,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-17_Geanna-Merola.jpg?v=1785181909"},{"product_id":"photogram-collage-29","title":"Photogram Collage #29","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e10\" x 7 1\/2\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109858234402,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-29_geanna-merola_dab12526-6122-49c6-8aae-0b9c7cc08545.png?v=1785183314"},{"product_id":"photogram-collage-48","title":"Photogram Collage #48","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e15\" x 9\"\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109879828514,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-48_Geanna-Merola.png?v=1785182339"},{"product_id":"photogram-collage-43","title":"Photogram Collage #43","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e6 1\/4\" x 6 7\/8\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109885104162,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photomontage-43_Geanna-Merola.png?v=1785182447"},{"product_id":"photogram-collage-39","title":"Photogram Collage #39","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e8 15\/16\" x 6\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109921345570,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-39_Geanna-Merola.png?v=1785182646"},{"product_id":"photogram-collage-40","title":"Photogram Collage #40","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e11 1\/4\" x 12 1\/4\"\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109925277730,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-40_Geanna-Merola.png?v=1785182749"},{"product_id":"photogram-collage-42","title":"Photogram Collage #42","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e11 1\/2\" x 15 3\/4\"\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109926457378,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-42_Geanna-Merola.png?v=1785182874"},{"product_id":"photogram-collage-23","title":"Photogram Collage #23","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e11 1\/16\" x 11\"\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109928292386,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-23_Geanna-Merola-1.png?v=1785183021"},{"product_id":"photogram-collage-25","title":"Photogram Collage #25","description":"\u003cdiv class=\"wt-item wt-media\"\u003ePhoto collage by Geanna Merola.\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-media\"\u003eCut and Sewn Silver Gelatin Print\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-dimensions\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e13 1\/4\" x 10 1\/4\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003e2025\u003c\/div\u003e\n\u003cdiv class=\"wt-item wt-date\"\u003eAvailable framed or unframed.\u003c\/div\u003e","brand":"Geanna Merola","offers":[{"title":"Default Title","offer_id":46109929504802,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/Photogram-25_Geanna-Merola-2.png?v=1785183185"},{"product_id":"pink-umbrella-window-works-series-geanna-merola","title":"Pink Umbrella | Window Works Series | - Geanna Merola","description":"\u003cp\u003ePhotography by Geanna Merola \u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \" 2013\u003c\/p\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470349029410,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/31b353e4eefd56ff556ca581105a7924.jpg?v=1787257017"},{"product_id":"lamp-and-tree-window-works-series-geanna-merola","title":"Lamp and Tree | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2015\u003c\/li\u003e\n\u003cli\u003eInkjet Project\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470470008866,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/69d009f8a3783e52f255eae3e6e99c06.jpg?v=1787257364"},{"product_id":"man-in-blue-shirt-window-works-series-geanna-merola-copy","title":"Man in Blue Shirt | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2015\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470482559010,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/9b1f66a393c8215706723dad13e7b2e2.jpg?v=1787257458"},{"product_id":"woman-with-artificial-flowers-and-plant-window-works-series-geanna-merola","title":"Woman with Artificial Flowers and Plant | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2015\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470555205666,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/7527399ea47470dbfcc76f0b251cf186.jpg?v=1787257638"},{"product_id":"two-figures-window-works-series-geanna-merola","title":"Two Figures | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470728384546,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/twofigures.jpg?v=1787257964"},{"product_id":"woman-walking-window-works-series-geanna-merola","title":"Woman Walking | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470773276706,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/3ef8cf77d21c916d57730f434cd1483b.jpg?v=1787258030"},{"product_id":"man-with-flowers-window-works-series-geanna-merola","title":"Man with Flowers | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470815809570,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/3e6d053c782f0419151472dbea0a9f5f.jpg?v=1787258120"},{"product_id":"bald-man-window-works-series-geanna-merola","title":"Bald Man | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470908018722,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/a634c6682ccf2f5e50c7c9a3c6c0cb89.jpg?v=1787258229"},{"product_id":"led-lights-and-pedestrian-window-works-series-geanna-merola","title":"LED Lights and Pedestrian | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470948880418,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/4ce588c7a4a176e1361775caccba3e06.jpg?v=1787258269"},{"product_id":"led-lights-and-pedestrian-window-works-series-geanna-merola-1","title":"LED Lights and Pedestrian | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46470984859682,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/4ce588c7a4a176e1361775caccba3e06.jpg?v=1787258269"},{"product_id":"led-light-and-face-window-works-series-geanna-merola","title":"LED Light and Face | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2015\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I continued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46471012188194,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/12760dbcd50d22f34b908723f98b813d.jpg?v=1787258379"},{"product_id":"blue-lamp-shade-with-white-car-window-works-series-geanna-merola","title":"Blue Lamp Shade with White Car | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46471083393058,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/784096e1e22a146eef108322bf5a268f.jpg?v=1787258598"},{"product_id":"bowery-window-with-mirrors-window-works-series-geanna-merola","title":"Bowery Window with Mirrors | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46471193985058,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/74b869668585498ba4f306847fdca9b6_1.jpg?v=1787258690"},{"product_id":"woman-in-print-dress-bowery-window-window-works-series-geanna-merola","title":"Woman in Print Dress, Bowery Window | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46471252803618,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/74b869668585498ba4f306847fdca9b6_1.jpg?v=1787258690"},{"product_id":"blue-tree-lights-bowery-window-window-works-series-geanna-merola","title":"Blue Tree Lights, Bowery Window | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46471297564706,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/907b9f9f6c45bd6abe0dac3e5cfd6075.jpg?v=1787258893"},{"product_id":"bowery-window-young-man-with-cigarette-window-works-series-geanna-merola","title":"Bowery Window, Young Man with Cigarette | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46471336558626,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/BoweryWindow_YoungManwithCigarette.jpg?v=1787258942"},{"product_id":"yellow-taxi-window-works-series-geanna-merola-copy","title":"Yellow Taxi | Window Works Series | - Geanna Merola (Copy)","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472187183138,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/6580b99857acf2789281be168de7d9f9.jpg?v=1787260768"},{"product_id":"dog-in-the-window-window-works-series-geanna-merola-copy-copy","title":"Dog in the Window | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472187543586,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/c479061b6e043cd05f7d992af62b6e5c.jpg?v=1787260836"},{"product_id":"sputnik-lamp-window-works-series-geanna-merola","title":"Sputnik Lamp | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2011\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472188493858,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/7491956a593ad13d7608288689efb1a7.jpg?v=1787260916"},{"product_id":"sputnik-lamp-2-window-works-series-geanna-merola","title":"Sputnik Lamp, 2 | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472189214754,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/19211a90c76fdec568a9b3ebcf31c1df.jpg?v=1787260994"},{"product_id":"couple-walking-bowery-window-works-series-geanna-merola","title":"Couple Walking, Bowery | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472190918690,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/7a2daaeed6d5eabd91071cf0348bfe0d.jpg?v=1787261053"},{"product_id":"woman-in-white-window-works-series-geanna-merola","title":"Woman in White | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2014\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472196227106,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/883cea486277377fbe5fc9e785c19620.jpg?v=1787261274"},{"product_id":"crystal-sphere-chandelier-window-works-series-geanna-merola","title":"Crystal Sphere Chandelier | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2008\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472196423714,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/8e8b0f9c00b87c0c8134f91cb26b0ecf.jpg?v=1787261324"},{"product_id":"woman-walking-window-works-series-geanna-merola-1","title":"Woman Walking | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2008\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472196980770,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/7985090d8a5e74a1dd2bf0edf793d177.jpg?v=1787261374"},{"product_id":"crystal-sphere-chandelier-2-window-works-series-geanna-merola","title":"Crystal Sphere Chandelier, 2 | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2008\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472198062114,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/13c2ffd654ac2ad415f85d2f35cee1a8.jpg?v=1787261445"},{"product_id":"spider-lamp-window-works-series-geanna-merola","title":"Spider Lamp | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472199077922,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/f390bf1decd48d5ebb7e31c7f04b7497.jpg?v=1787261534"},{"product_id":"electric-candles-window-works-series-geanna-merola","title":"Electric Candles | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472199307298,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/2eff18cf42cbe172954779c87314f663.jpg?v=1787261604"},{"product_id":"tree-light-window-works-series-geanna-merola-copy","title":"Tree Light | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2013\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472199372834,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/c5eb948ba34963dcc77859d820249e93.jpg?v=1787261648"},{"product_id":"ghost-lamp-window-works-series-geanna-merola","title":"Ghost Lamp | Window Works Series | - Geanna Merola","description":"\u003cul\u003e\n\u003cli\u003ePhotography by Geanna Merola\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e20\" x 13 1\/4 \"\u003c\/li\u003e\n\u003cli\u003e2022\u003c\/li\u003e\n\u003cli\u003eInkjet Print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor 17 years I enjoyed having an apartment on Elizabeth Street, in Manhattan, and photographing in the neighborhoods close by. Interested in patterns and the layering of imagery, I was drawn to photograph what I saw in the windows of the various shops that lined the downtown streets. I eventually found my way down to the lighting district, an area of the Bowery between Kenmare and Grand streets. There I recorded the dream-like imagery of hanging crystal lamps visible through the large glass panes. The glowing interiors of the lighting shops could be seen while looking through the reflected scenes of architecture and activity of the street. I conti\u003cimg\u003enued to photograph on this stretch of the city for about the next ten years. The last images in this series were made in 2020. The glow of the shops was already beginning to dim as many were closing or moving due to the new status of the Bowery as a location for high end real estate.\u003c\/p\u003e\n\u003cp\u003eMy photographs are less documentation of the lighting shops than they are poetic observations of the montage of imagery that appears on the window glass separating the interior and exterior spaces of the storefronts. This work owes to the history of Atget, Abbott, Callahan, Friedlander, and the many others who have established the visual vocabulary of this genre, but it is also indebted to the layered and translucent collaged works of other visual artists, most significantly Robert Rauschenberg. The broad surfaces of the transparent glass panes are where the images materialize. On that sheer division of space, the arranged interiors and the cinematic movement of the lively exteriors blend and share a fleeting common order. The photographs record that “accidentally orchestrated” moment when all the visual elements merge in a complex blend of the multiple subject sources.\u003c\/p\u003e\n\u003cp\u003eThe rise in internet sales and the continuing robust real estate development of the lower east side of Manhattan ended the livelihood of the rows of sparkling lighting shops on the Bowery. I saw more shops relocating or closing with each visit I made. After the final blow of the Corona Virus pandemic, likely only a few shops, if any, will manage to survive. The luminous, dream-like quality of another of Manhattan’s unique neighborhoods seems destined to vanish for good.\u003c\/p\u003e","brand":"Geanna Merola","offers":[{"title":"Unframed","offer_id":46472199929890,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/files\/f6f4f6d93f89133fba15c19530222387.jpg?v=1787261744"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0797\/7638\/3010\/collections\/IMG_7950_-_Geanna_Merola.jpg?v=1756841553","url":"https:\/\/asburyparkartclub.com\/collections\/geanna-merola.oembed?page=2","provider":"Asbury Park Art Club","version":"1.0","type":"link"}